{"id":468,"date":"2025-05-13T12:12:22","date_gmt":"2025-05-13T12:12:22","guid":{"rendered":"https:\/\/jagerenboerhypernode.io\/?p=468"},"modified":"2025-05-16T12:06:27","modified_gmt":"2025-05-16T12:06:27","slug":"5-essential-macro-photography-rules-and-when-to-break-them","status":"publish","type":"post","link":"https:\/\/jagerenboerhypernode.io\/index.php\/2025\/05\/13\/5-essential-macro-photography-rules-and-when-to-break-them\/","title":{"rendered":"5 Essential Macro Photography Rules (and When to Break Them)"},"content":{"rendered":"

The post 5 Essential Macro Photography Rules (and When to Break Them)<\/a> appeared first on Digital Photography School<\/a>. It was authored by Jaymes Dempsey<\/a>.<\/p>\n

\n
<\/span>\"Essential<\/span><\/figure>\n<\/div>\n

Talk to any macro photography expert, and they\u2019ll likely give you a few handy rules that are designed to help you improve your shots as quickly as possible. These rules can be insanely helpful, especially if you\u2019re just starting out \u2013 but they can also be restrictive, frustrating, and very <\/em>problematic.<\/p>\n

So while it pays to explore a handful of essential macro photography rules, it\u2019s important that you also understand how to break them effectively. That way, you can take advantage of the rules when they suit your photos, and you can break them as needed, too.<\/p>\n

In this article, I share five key rules of macro shooting<\/a>. I explain what they are, how you can use them to level up your shots, and when you might want to deliberately ignore the rules for the best results. Note that I offer plenty of examples from my own work so you can see precisely how following \u2013 and breaking \u2013 different rules will affect your images.<\/p>\n

Let\u2019s dive right in!<\/p>\n

1. Use the rule of thirds<\/h2>\n
\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

Let\u2019s dive into the most talked-about rule in photography \u2013 yes, it\u2019s the one with \u201crule\u201d in its name! Meet the rule of thirds, a simple yet powerful concept that is designed to keep your compositions both dynamic and balanced.<\/p>\n

The rule of thirds<\/a> is simple: Divide your viewfinder, screen, or LCD into both vertical and horizontal thirds. This creates a grid. The main elements of your composition \u2013 horizon lines, leading lines, faces, eyes -should lie somewhere along these lines. If they fall on one of the \u201cpower points\u201d of the grid \u2013 the place where the lines intersect \u2013 that\u2019s even better.<\/p>\n

\n
<\/span>\"flower<\/span>
The place where the stem meets the petals of this tulip lies on a rule of thirds power point.<\/figcaption><\/figure>\n<\/div>\n

How does this apply to macro photography?<\/p>\n

Often, you\u2019ll be advised to position flower stems along the rule of thirds grid, and you\u2019ll be told to place flower centers along the power points of the image. The same goes for insects and leaves.<\/p>\n

\n
<\/span>\"flower<\/span>
The center of this dahlia is positioned at one of the power points on the rule of thirds grid.<\/figcaption><\/figure>\n<\/div>\n

It\u2019s solid advice that has stood the test of time, yielding delightfully pleasing compositions. But sometimes it\u2019s best to break out of this mold and get something a bit edgier, a bit more unique.<\/p>\n

Let me tell you about two scenarios when I like to break the rule of thirds.<\/p>\n

The first instance you should break the rule is when you have a symmetrical subject. Symmetry can be very powerful, and it\u2019s usually best emphasized by putting the point of symmetry (the place around which the image is symmetrical) in the dead center of the image.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

The second time you might choose to break the rule of thirds is when you want to have a more spacious, off-balance image.<\/p>\n

I like to place my main subject at the very top or bottom of the image and leave tons of negative space<\/a> throughout the rest of the composition. This can produce a minimalist feeling<\/a>, one that I really love.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

Now, don\u2019t get me wrong. The rule of thirds is a tried-and-true technique that has elevated the visual arts for centuries. But don\u2019t be afraid to move beyond the rule of thirds to create original photos!<\/p>\n

2. Keep it simple<\/h2>\n
\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

Another common macro photography rule? Keep your compositions simple.<\/p>\n

In other words, you should have one point of focus, no distracting elements, and a clean and straightforward image. According to this rule, the best shots often contain a single subject and a uniform (often white or black) background.<\/p>\n

Indeed, this is often a wise approach. Random chaos can take away from the main subject and cause the viewer to become confused.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

However, controlled <\/em>chaos might be just the thing you need to create a unique image.<\/p>\n

I like to use controlled chaos when I\u2019m faced with a complex scene, such as a field of many overlapping flowers. The key is to make sure there is a main subject that stands out and can be identified as the main point of focus by the viewer. (At the same time, it\u2019s okay to let the background or foreground get a bit messy as long as it complements the main subject.)<\/p>\n

\n
<\/span>\"flower<\/span>
The flower on the left creates order in an otherwise messy composition.<\/figcaption><\/figure>\n<\/div>\n

Just make sure you choose your framing carefully <\/em>to prevent the image from devolving into chaos, and make sure that the main subject is tack-sharp. It\u2019s a fine line between having a complex but controlled image and making a big mess.<\/p>\n

3. Have a single point of focus<\/h2>\n

Macro photographers are often told to compose with a single point of focus (i.e., a prominent area that the eye can focus on). It\u2019s a great way to prevent the composition from becoming too chaotic (see the previous section), and it can provide an anchor point for the viewer as they appreciate the photo.<\/p>\n

But while there is a time and a place for this rule, there are also scenarios when it should be broken.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

For instance, when faced with a noticeable pattern among leaves, flowers, or ferns, it can be better to think less in terms of a point of focus and more in terms of the image as a whole<\/em>. Try to emphasize the pattern so the eye can follow it through the image. You might even consider getting ultra-close or deliberately missing focus for an abstract effect.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

You may not end up with a single point of focus, but assuming you frame the scene carefully, you\u2019ll still end up with a pleasing shot!<\/p>\n

4. Use a uniform background<\/h2>\n

Uniform backgrounds are very popular in macro photography. In fact, macro photographers will often shoot on a completely black or pure white backdrop in pursuit of background uniformity.<\/p>\n

The rule emphasizing uniform backgrounds makes sense: the more uniform the background, the less distracting it\u2019ll be. I use it often myself.<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

But it\u2019s also <\/em>a rule that I often break, and here\u2019s why:<\/p>\n

Uniform backgrounds can be\u2026kind of boring<\/em>. More colorful uniform backgrounds are better, but sometimes even they aren\u2019t enough.<\/p>\n

If you really want to take your macro photos to the next level, you may wish to consider moving beyond those simple backgrounds. Instead, look for backgrounds that are complementary<\/em>. In other words, find backgrounds that offer a bit of substance while enhancing the main subject.<\/p>\n

One trick is to place a second subject just behind the first. Choose an aperture that keeps the second subject slightly out of focus but still recognizable. That\u2019s how I captured this shot, which features a background of blurry tulips:<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

Another trick is to shoot toward the sun so that you get creative flare effects and beautiful highlights:<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

But be careful: You don\u2019t want to go from uniform to messy. The key word is \u201ccomplementary.\u201d Have fun with your macro backgrounds<\/a>, but make sure you exhibit restraint!<\/p>\n

5. Make sure the whole subject is sharp<\/h2>\n

\u201cKeep the main subject sharp\u201d is a foundational rule of macro photography. The idea is to ensure that your entire <\/em>subject \u2013 and not just the front or back edge \u2013 is sharp; that way, it\u2019ll offer beautiful, crisp, lifelike details.<\/p>\n

According to the rule, if you\u2019re shooting a butterfly, make sure that it is sharp from wingtip to wingtip. When you\u2019re shooting a flower, make sure that it\u2019s sharp from the tip of the front petal to the edge of the back petal.<\/p>\n

Sometimes, it won\u2019t be possible to get the entire subject sharp, in which case the rule advises you to get as much in focus as you can. (You do this by narrowing the aperture<\/a>. It\u2019s common for macro photographers to shoot at f\/8 and beyond for this reason!)<\/p>\n

\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

But while an in-focus subject does tend to look nice, you can create wonderfully emotive shots by ensuring that very little <\/em>of your subject is in focus. It\u2019s a technique I use all the time, as you can see in the photos displayed throughout this article, and it can be a great way to produce more abstract, unique images. <\/p>\n

How can you create such an effect? Simply dial in a wider aperture and get close to your subject. I often work at f\/4, but you can achieve good results at a variety of different apertures; just experiment and see what you can create.<\/p>\n

(One tip: Focus manually, and try to set the point of focus on a recognizable part of your subject, such as a leaf or the edge of a petal. Though most of the shot may be unrecognizably soft, you want to include an anchor point for the viewer.)<\/p>\n

Macro photography rules: final words<\/h2>\n
\n
<\/span>\"flower<\/span><\/figure>\n<\/div>\n

Macro photography rules can certainly be helpful \u2013 and if you\u2019re a beginner, I encourage you to memorize each and every rule listed above. I\u2019d also recommend practicing incorporating each rule into your photos.<\/p>\n

But remember: Macro photography isn\u2019t just about following a set of rigid rules. It\u2019s an art form, a way to express your unique perspective and unleash your creative spirit. So don\u2019t be afraid to bend and break those rules when the moment calls for it.<\/p>\n

Embrace the power of the rule of thirds, but don\u2019t be bound by it. Sometimes, symmetrical subjects demand center stage, while other times, a little off-balance magic can create minimalist masterpieces.<\/p>\n

And let\u2019s not forget the beauty of simplicity. Keep it clean, keep it focused, but don\u2019t be afraid to break free from the chains of predictability. Surprise your viewers with unexpected elements and unleash their imagination.<\/p>\n

Now grab your camera, capture some macro shots, and think about different rules as you photograph. Rules are meant to be broken, and if you\u2019re willing to think outside the box, you can end up with gorgeous images!<\/p>\n

Now over to you:<\/p>\n

Which of these rules do you like (or dislike)? Do you have any rules of your own that you like to break? Share your thoughts in the comments below!<\/em><\/p>\n

\n
\n
\n

Table of contents<\/h4>\n

\n Macro Photography<\/a>
\n <\/h3>\n<\/p><\/div>\n
\n